Do you want to know once and for all the difference between Twitter and Instagram? Venture to say in the first that you are willing to pay whatever it takes to have a cold cacaolat while you walk through the capital of Bolivia and then comment on it in the second. Do it like the former vice president of the Government Jordi Puigneró and you will see that in Musk's network many will wish him to rot like Vox's vote of no confidence; In Zuckerberg's, on the other hand, they will adore Gavi more than a culé after helping Ceballos get into the subway car with a little push.
Nor is it the same to realize through one channel or another that Rosalía has stripped emotionally in an interview, along with Rauw Alejandro, that Ibai Llanos did for them in the kitchen of the streamer's house.
If you recover the conversation on YouTube, it will be difficult for you to find any negative input and far from "I love you very much", "how wonderful". Both will publish three songs tomorrow. It is the excuse of the interview. But in the network of the little blue bird there are those who try to keep the artist's feet on the ground: "Rosalía's heart will be broken so much that I can't even imagine how last the post-rupture album will be"; “At 30 years old, she still has a lot to learn. There will be time to lose faith, money, partner, car, house, friends...".
There are few offensive comments, but these two are still nice and motivated by the singer's demeanor: smiling, delighted with her partner. Full of candor. So much so that she came to say to Rauw: "She had lost faith in masculinity, but she met you and that changed." Also: “The men around me were emotionally unavailable. With you it was the first time I didn't feel that. I felt that you were not afraid to love and be loved. I kiss the song The Puerto Rican rightly says that Rosalía "is intense."
The one in Sant Esteve Sesrovires controls all the networks. She laughs, dances, shows herself without mania, responds to the fans. It practically breaks the maxim that it is not indifferent where things are said and that if it is on Twitter any of them can be used against you. But Rosalía knows and she can drink a cacaolat wherever she pleases.
Puigneró is different. Modulates content and language according to the network. But he doesn't control them (or doesn't want to control them) and at times he has turned his trip to Peru and Bolivia into a bout of tweets against “the Spanish”, which has earned him more than one criticism for being “childish”. A few comments, however, that he minimizes to his Instagram.
