Malaga-born dancer Rocío Molina returns to Temporada Alta for another year to share with the public the evolution of her creative process. This year she premieres Vuelta a Uno, the closing of her trilogy on the guitar, which can be seen at El Canal-Centre d'Arts Escèniques de Salt on November 6.
"The guitar is an instrument that has accompanied me since I was little and that is why I felt the need to delve deeply into each interpreter of each one of my works. Thus, I have ended up making a trilogy", explained the dancer and creator. In this way, with Vuelta a Uno Molina she is reunited with the guitarist Yerai Cortés, who had already accompanied her in the show Al Fondo Riela (The Other of the One), the second part of the trilogy.
"I have had a wonderful crisis of creativity and productivity. That is why I am now presenting the most colorful and greedy part of the project", Molina highlighted. Consequently, Vuelta a Uno is described as a show about carnal and banal desire. About the urgent and immediate consumption that represents both the notion of desire in today's society.
In this way, the artist justifies the repeated collaboration with Yerai Cortés, a performer who, according to Molina, does not allow himself to be mechanized by contemporary uses of the guitar and who plays with its musicality. The dancer follows the guitar and not vice versa.
After the creation of Vuelta a Uno, the Malaga artist has continued to explore desire, but from a much more spiritual conception, with her most recent creation Carnación. Accompanied by El Niño de Elche, Molina will take the show this December to the Spanish Theater and Naves del Español in Madrid.
One more year the dancer and creator Rocío Molina returns to the Temporada Alta festival. This year the Malaga native closes her trilogy on the guitar with her most "greedy" show, Vuelta a Uno, accompanied by guitarist Yerai Cortés, and which can be seen on November 6 at El Canal - Center d'Arts Escèniques de Salt.
