How many smiles will you get and conversations will you open up if you don't just reply with a “fine, thanks” to the waiter's “hello, what's up” and add “and you?”. How much sympathy David Bisbal arouses when he approaches the fans with a waddling gait, with his feet pointing outwards. And how many does the singer earn when, as he addresses them, he blurts out: “Well, how are the machines, first of all. Good? Come on, let's take some pictures" (sic).
The machines are fans who demand a photo of him and who accept his machinity. "Good, good, good, good," they answer automatically in milliseconds, like hammers. The singer's greeting has been a trend in networks and it will also be so on the street until we get bored in some of our day-to-day lives.
What is most valued in a media character is naturalness. Bisbal exploited it at the exit of a concert. There is no imposture, because there is more to TikTok: the one that runs on Twitter and that has gone viral is a short version. In the original, the artist is actually seen taking a photo with someone who could be Ibai Llanos's brother, while he further enhances his affability with the famous photo hunter Henry Gutiérrez (henrygr126): "What a beautiful chain you have." It is the translation of his intrinsic body language, from his energetic kicks and spinning tops on stage, to verbal language.
In the video the singer behaves with the simplicity that is his own. He has defined it very well @buarena: “His identity is compact, round; she says exactly what fits her to say and wears exactly the clothes that fit her to wear; asking the fans 'well, how are the machines' while wearing a pink dress is something Bisbal would do”.
A singer, an athlete, an actor can allow themselves to be natural. Also, as we have seen, crowning one of the towers of the Sagrada Família with a Poly Klyn or a Toi Toi is an unmistakable sign of naturalness. But this virtue is always under discussion in the political class. She claims him, but receives a setback when he tries to adopt her.
Now, however, they have the opportunity to try it, in the Late Xou of the communicative machine that is the beast Marc Giró. The presenter left Pere Aragonès the power to open up on a platter, starting with those screams to invite him to enter the set. They would make a mistake first political swords or mayors if they don't go. Don't worry, we'll turn a blind eye and ignore that you're in the pre-campaign. Running away from formalities opens many doors.
