The Platino dresses: from Laura Matamoros's skid to Leticia Dolera's futuristic look

Madrid has celebrated a new edition of the Platino Awards this Saturday with a most diverse prelude.

Oliver Thansan
Oliver Thansan
24 April 2023 Monday 05:54
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The Platino dresses: from Laura Matamoros's skid to Leticia Dolera's futuristic look

Madrid has celebrated a new edition of the Platino Awards this Saturday with a most diverse prelude. As the dress codes for these kinds of events have blurred in recent years, the red carpets have become a parade of chic designs set against gruesome gowns.

Sequins with feathers, ruffles and kilometric capes, but also sneakers, knitted dresses and flat sandals. Today anything goes in the prelude to some awards and the Platinum has been no different.

Among the successes of the night, the style choices of actresses such as Georgina Amorós undoubtedly stand out, dazzling with a design by Maison Valentino. In a romantic nude with delicate hand-sewn feathers, the outfit fits perfectly with the date and style of the interpreter.

More daring and unafraid to innovate, Letizia Dolera has worn a total black look made up of campaign pants, a body with built-in gloves and an impetuous cape. In search of contrast, the interpreter has worn a red lipstick and a spectacular diamond choker.

Austere but elegant, Andrea Levy has succeeded with its black design with a large rosette on the chest signed by Redondo Brand, one of its head brands.

Paz Vega has opted for an original suit with details of sequins and feathers on the cuffs. A sophisticated and gala two-piece that shows that sometimes on the red carpet a suit is more successful than a pompous dress.

Juana Acosta, always on point, opted for an Elie Saab design with gemstones on the chest and a halter neck pendant. A high-end piece with a flowing pleated skirt that stylized her figure.

At the bottom of the podium of this stylistic ranking are actresses such as the Mexican Paulina Gaitán, with an extreme pleated dress and bows on the shoulders, the model Clara Alonso, with an unflattering red princess-cut dress and Laura Matamoros, with an option similar to Alonso's but in apple green and asymmetrical.

Nor did the election of Berta Castañé go unnoticed. The Spanish interpreter decided to take a risk with an asymmetric knitted design with strange cuts that simulated tearing the fabric.