Eduardo Navarrete remembers the time a bouncy castle fell on him in 'El Hormiguero'

Eduardo Navarrete is one of the best-known figures of fashion design in Spain.

Oliver Thansan
Oliver Thansan
08 May 2024 Wednesday 04:59
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Eduardo Navarrete remembers the time a bouncy castle fell on him in 'El Hormiguero'

Eduardo Navarrete is one of the best-known figures of fashion design in Spain. Creator of groundbreaking dresses, who very often wears himself at celebrations and drag events, he also has an extensive resume as a contributor to television shows. His most recurrent appearances are on Zapeando, but this Wednesday night he stopped by El Hormiguero with Pablo Motos on Antena 3.

Navarrete has had the opportunity to present her new book, Cabaret and scandal dresses, explaining her life through her dresses and even how to recreate them, sharing her patterns. Beyond her own personal projects, anecdotes have also gained prominence during the interview. One of the most particular took place during the La Troya festival, one of the most powerful in the world.

The television collaborator was dancing inside a giant bouncy castle, jumping and bouncing non-stop. Unfortunately, the joy lasted only a few moments, as the structure began to collapse on his head, while he was dressed in a complete baby uniform. Quickly, he had to move away to avoid greater harm, before discovering that he himself had been the cause.

Apparently, Navarrete jumped with such intensity that he ended up displacing the castle from the air intakes that kept it inflated, with the consequent deflation at the height where it was located. Despite the setbacks, the Bigastro native spent an entertaining night in San Sebastián de los Reyes. One of the first details that the man from Alicante explained was the aesthetic changes that he had recently made.

“I'm taking my mouth off. You have an investment. There is a liquid that pricks you and reabsorbs them inside. "It's just that now I'm going the other way," she explained to the viewers, before also sharing other touch-ups on her face, defining it as a process of masculinization: "I've redone my nose. The tip no longer goes down. In the long run I will have to get cartilage. I can't fully operate on it yet. "They put acid in me with a cannula."

“They called me La Nenuco because I was young, fresh and for all audiences. I wanted to be Norma Duval and perform at the Folies Bergère and on stages I found mine,” she expressed, in a phrase that she also shared in her book. He himself expressed his financial problems when he was younger, but how he was aware that she could go far with the path she had chosen, and was well on it.