Scenrecension: a Serious and anspråksfullt, when Iphigenia is sacrificed to the gods

I know many people today who believe that the art should be understood, is not severe, the applicant is of or over the years. The security is only. the art of

Scenrecension: a Serious and anspråksfullt, when Iphigenia is sacrificed to the gods

I know many people today who believe that the art should be understood, is not severe, the applicant is of or over the years. The security is only. the art of

Ann McDonald
Ann McDonald
16 September 2019 Monday 00:00
51 Reads
Scenrecension: a Serious and anspråksfullt, when Iphigenia is sacrificed to the gods



I know many people today who believe that the art should be understood, is not severe, the applicant is of or over the years. The security is only.

the art of defending themselves. The theatre dates to the ancient greeks,” for the support. In the autumn, playing several, one of which, for more than 2000 years ago, the foundations of democracy by asking tough questions. It was medborgarplikt to go and see them. They were to paint it up on its point like a moral choice, to show the power of the gods, and the caprice. In the discussions that are going on just yet.

for the Last time, ”Iphigenia in Aulis” was at the royal dramatic theatre, stockholm, in 1995, was a more optimistic time, was that ”the Greek in” the focus to when the greeks began to view and portray the gods as humans, they could also begin to consider and understand more about themselves. It was the first step in the history of western civilization.

in the world today? The gods are, in principle, absent of Jon Fosses a translation, so bare that in life, we in between the lines. In front of the Small stage, wafts of thin white veils. In them you see, the boy Orestes, face dark and ominous shot, still moving. Ljuskrevader crackled across the elektronmusikens pounding heartbeat. The child at the centre, in the adults 'savage world'. Seriously anspråksfullt. Alan Weiss do not choose the easy road.

it will take a little while to get used to the slightly-stylized game, where the bound is often replaced by the social movements. Dias, Christopher Smith, will lead the Greek fleet in the war against Troy, but calm will prevail. A detailed wind may be the only if he sacrifices his daughter Iphigenia to the goddess Artemis. He should be going? Restless, he goes around in a black läderrock. He loves it of course, Iphigenia. But... "

as of the. The handsome trojan Paris has stolen his wife, the beautiful Helen, this is why Troy must be destroyed. Am Appalled they don't have enough for it? They quarrel and come to terms with the inverted position. Yet in all the rhetoric. Did not partake, as a distinct, Erik Ehn, they seem sincere in their expressions of sympathy. However, when he is winning the debate, we can see (but not his brother) and his the hidden triumph.

Iphigenia brought to Aulis by her mother, Klytaimestra and her brother, Orestes, as a small boy in camouflage, and bright white sneakers, all-seeing on the stage.

Ellen, the Jelineks the goblet of Klytaimestra and Agamemnon, takes place in a traditional, violent, kärlekskoreografi that it hurts to look at. She's just as much self-hatred that is the desire. He is using guilt and shame as a fuel.

it is to get married, she must, at Aulis, with his wife and infant son.

When he shows up, a young man of god with a bare-chested, and patronbälte over his shoulder, and he is taken by surprise by this ”bröllopsplaner”. In Hamadi Khemiris easing, the irony of the act is bound closer to the surface: so, the självberusad, he is out of his hjältestatus that he promises to fight the entire Greek army in order to save Iphigenia. The solid of the reflection is going the retreat, which is just as entertaining. Where are the light at the other men, we know better, again, of their stock of status-seeking and self-deception.

the Stage is ready for the Iphigenia, the first sacrificial lamb. A lot is resting on the Dramatendebuterande the 19-year-old Frida, the Film Murray. A lonely teenage girl in a white tank-top, her hair bakåtstruket, the whole of her, I was in a turmoil of emotions and feelings in the most massive story.

dies for the Hellas (and to my dad for the whole family, is being threatened). She was quaking, but it is not to be afraid. She will be drunk by the victim, gleeful even. But in the hands of pinching the särken, make out and spread. The arms and legs jerk in pain, she is a self-harming kids? At the same time, one of Jeanne d'arc, or Ingrid, or just one that is unseen, to be sacrificed to our selfishness, duality, reason.

on Frida, the Film Murray with the clarity and authority of the whole, this is a sad ship is in port. It is a tragedy, and to admire. And when the Stone is Ljunggrens the old man to the last, to tell Orestes to Iphigenia is gone, and there was a deer, which was sacrificed in her place, and he will do it as smooth and sweet as a promise to the children that santa claus actually exists.

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Updated: 16.09.2019 00:00
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