Kim Larsen went almost always with cap. It makes Hjalmer also. Apart from it has the father and the son have nothing in common.
When you are struggling through Hjalmers debut album, which has been given the colloquial title of ’in the Middle of a dream or something that looks like’, one should actually believe he was the son of Thomas Helmig.
See also: Larsen's son, Just not good enough
Except that Hugo is both flippant and clever. It is Hjalmer not.
See also: Hugo Helmig shocks
The 24-year-old fynbos youth rebellion seems to be a good boy, but after 12 popnumre in his company would much rather hear an asshole to do something rebellious.
Hjalmer is a whistling emoji. He has depth as a saucer, and when he uses the word ’destructive’ in ’Escapée’, it feels like a foreign words.
In an airy and radioleflende sound, which is clinically purged of personality, is Hjalmers only justification some great tunes on ’Life’, ’Drawers no other’ and ’Set’.
the Latter is made to this year's advent calendar, but Larsen junior is idle as a snydepakke, and he sings like a figure in a cartoon.
See also: Larsen's dødsplade: It' so sad
’in the Middle of a dream or something similar’ is created in collaboration with songwriters and producers such as Lauritz Emil Christiansen, Oliver Cilwik and Pitchshifters, which also stands behind the Medina.
See also: Big downturn: Poor Medina
She shows up on the duet ’People like us’, that reproduces the social media mock tone of rygklappende friendship in a way, so it seems tempting to behave decidedly anti-social.
Hjalmer has vanishing a little at heart. And even less under the cap.
the Cover to the current 'in the Middle of a dream or something similar to' where Hjalmers little brother, Lui Larsen, contribute with a poem.