Cristian Quirante, Alizzz para el pop, has tied it well with the edition of his new single Que pasa nen, something that has heated up the networks very much for a letter in Catalan that claims the talent of the Baix Llobregat and does not leave puppets with cabeza , with the exception of Cal Eril. In it he says I'm a choni, an ignoramus/a charnego of the periphery/uh-uh uh-hu/Rodalies done shit/in Enderrock they can't see me. It also talks about you sound bored and tired/I will bring Castefa three Grammys this year/Rosalía and Estopa are from Baix Llobregat. He says that it's not about the language but I feel like Chanel/second-rate Catalan/intellectual Bourgeoisie you can eat me the po..." to top off the rant with a I'm Jenny going cool and faltering in the Cathars. Él cree que su arte pertenece y suma a la cultura catalana, que forma parte de su identidad, aunque se exprese en sus canciones en castellano. He considers that language is not relevant to belonging to a culture, but what matters is talent.
Yesterday, Lluis Llach replied via tweet with the following message: “Nobody takes away your right to feel Catalan, nor is that a disrespect for your work. You will make Catalan culture when you use the Catalan language. If you use the Castilian language, you create Castilian culture from Catalonia, which is legitimate. As simple as that and that's how it's accepted everywhere."
Perhaps he feels underestimated by the establishment, but the truth is that both the press and the Catalan radio and fans have been giving him the wave since the first day, when on November 26, 2021 he edited There has to be something more. And even without drawing excessive blood from his limited voice. He is the producer, the one who invents sounds in the studio and even live, as in the famous Tiny Desk Concert by C. Tangana. He is a pop magician who also received his stage baptism and first fan bath in the Razzmatazz room, on March 24, surrounded by his collaborators Rigoberta Bandini and Amaia, premiering a round debut album in which they have collaborated since C Tangana to distinguished musicians of the Catalan alternative scene: Ferran Palau, El Petit de Cal Eril, Jordi Matas, David Sospedra or Miquel Soler.
The new and controversial rock song has added pressure and popularity to a musician who, accompanied by his quartet, filled the stage of Platja del Bogatell. The threat of rain did not prevent a large turnout, proving that Alizzz has become a popular phenomenon. From the initial Fatal, full of funk and groove, the fans were put in their pockets. He continued with Siempre Igual, a mixture of synthetic and guitar pop, and the chorus Salir, an exultant anthem influenced by C. Tangana. Before playing Todo me saber a poco, he said that he believed it was the concert for more people than they had done in his life. Always speaking in Catalan, he sent a “petonet to Rigoberta”, adding “Paula ets la millor” at the end of Amanecer, the song he recorded with her. with the great success Ya no vales. Pucho was not there, but his shadow is long, as evidenced by the rescue of Before I died, the song they recorded with Rosalía. It was another high point, sung with fervor. Then, the version of Un Good day of Los Planetas evidenced his close relationship with the group from Granada.
The moment to release Que pasa nen has arrived," he said. "There has been a lot of talk about this song and a lot of things have been said about me. I just want to say long live Barcelona, long live the Baix Llobregat and long live the Catalan culture that belongs to all” before launching himself into an open grave with his rock band. He still has little repertoire, so he ended the concert by arriving, before arriving on time, with El encuentro, which he recorded with his protégé Amaia, and a triumphant and chorused Ya no siento nada in which he kept repeating "I'm a bastard, with me first".
When it was the turn of the group led by the Vallesan rapper Santa Salut, the water began to fall heavily, so much so that the storm forced the concert to be suspended before reaching its end.
